Sib Law's poetry, photography, and other musings

Creative. Human. Being.

Posts Tagged ‘Television

Sib’s Haiku of the Day #73

leave a comment »

Sibs Haiku 073b

TARDIS comes as ice,

Yet, The Doctor exists twice…
Will one of him melt?

Copyright © 2015, by J. Sibley Law

Written by @SibLaw_Official

May 16, 2015 at 5:21 pm

Why I Love Politicians and What We Can Learn from Them

with one comment

We are headlong into the silly season of presidential campaign politics. If you doubt it, it’s time to crawl out from under that rock you’ve been sleeping under. Then, once you plop down on the sofa with your laptop, smart phone, or in front of your television, you’ll figure out who the key players are. This week as we launch Puppet John Law, a series lampooning the process of running for President of the United States, it makes sense to explore why I love politicians and what we can learn from them.

 

I have worked in an integral way on numerous political campaigns; sometimes on the winning side, sometimes on the losing side. I count a number of politicians—in both political parties—good friends. Despite what you might think about their political positions, my experience indicates that (most) politicians start out wanting to make a difference and do right by their constituents. They believe they can further the cause of their electorate, that they can best represent their constituency, and that they will serve the people better than their opponent.

Money and influence sully campaigns and have since the beginnings of democracy. But even today, with all the influence and money that flows through political campaigns, one truism can be gleaned from politics and applied to web television.

“How do you win an election? One vote at a time.” One only has to think back to the George Bush/Al Gore election to remember just how true that is. Even today, we see the Republican primary contenders traveling state-to-state, fair-to-fair, house party-to-house party. Why? To meet people! Raising money is part of the equation, but the goal is to win the support of opinion leaders in communities (communities of people living together, worshipping together, or country-clubbing together, or who share a common ideology). These politicians take their message out to various communities and make the case for how they are unique, different, and better than the rest.

When you listen to top YouTubers talk about keys to their success, it’s not so different. Many of them spend inordinate amounts of time responding to comments and fans, outreaching to communities that would resonate with their show, and working to convert the passive viewer into an active fan who likes, shares and talks about their show. It’s about what makes their show unique, different, and better at connecting with an audience.

Some may argue that the key is to simply create great content. But, discoverability also comes from knowing who would likely connect with that content and helping them find it. How do you build an audience? One view at a time. That’s a great place to start.

Puppet John Law is created by J. Sibley Law with animation powered by HandTurkey Studios.

Follow the facebook fanpage here!

IAWTV Opens Award Submissions

leave a comment »

The following was released today by the IAWTV:

Recognizing content creators driving today’s Web television industry, the International Academy of Web Television (IAWTV) announced a call for submissions for the inaugural IAWTV Awards to be presented on Thursday, January 12, 2012, in Las Vegas during 2012 International CES.

Submissions for the first-ever IAWTV Awards begin Tuesday, October 4, 2011 and must be received by 11:59 p.m. PST on October 31, 2011. For more information, visit http://www.iawtv.org/awards.

For its premier event, the IAWTV Awards consists of 33 categories honoring Web series and talent, both in front of the camera and behind-the-scenes.  Submissions for the IAWTV Awards are open to qualifying individual producers, production teams and companies, major studios and networks, independent talent, YouTube stars and mainstream talent. A full list of categories for the first IAWTV Awards can be found at http://iawtv.org/awards/categories.

“The original online video industry is booming and the IAWTV is thrilled to produce the first awards for content creators by content creators, honoring the talented community behind the screens,” says Paul Kontonis, Chairman of the Board of Directors for IAWTV, and Vice President/Group Director of Brand Content at Digitas. “As we open up submissions for our inaugural awards, we welcome entries from content creators who are changing the way we watch and from independent talent to distribution platforms and major studios.”

Qualifications for IAWTV Awards eligibility include:

•        Only episodes of a Web series as defined by the IAWTV that were released during the period of January 1, 2010 through October 31, 2011 are permitted to be entered for consideration in the inaugural IAWTV Awards and only so long as at least two (2) or more episodes of the Web series were released within the eligibility period.

•        The IAWTV defines a Web series as a series of two (2) or more episodes held together by the same title, trade name or mark, or identifying personality common to all the episodes that initially aired and were distributed anywhere in the world via the Internet using website technology (e.g., .com, .net, .biz, etc.).  Exclusions from this are works such as previews, trailers, sizzle reels, commercials, any sequences from feature-length films for theatrical distribution or home video release, aired and unaired episodes of established TV series delivered on free network broadcast television, pay television and all forms of cable television, and any unsold traditional TV series pilots.

•        Both members and non-members of the IAWTV are welcome to submit their shows for consideration.

•        All submissions and entry fees must be received by 11:59pm PST on October 31, 2011. All submissions must be received via the IAWTV’s online entry system at http://submissions.iawtv.org from the owner or authorized representative of the Web series.

Active members of the IAWTV will vote on IAWTV Awards and nominees will be announced in December 2011 following preliminary voting. To become a member visit http://iawtv.org/join-us.

About the IAWTV Awards

The International Academy of Web Television (IAWTV) Awards is an official Web television industry awards and experience established for content creators, by content creators. The awards serve as a platform for members of the IAWTV to honor the best of their profession, foster collaboration with peers and industry luminaries and to support the IAWTV. Proceeds raised from the show are used by the IAWTV for the betterment of the community by providing more member resources as well as professional development and education for professionals working in Web television.

About The International Academy of Web Television

The International Academy of Web Television (IAWTV) is a nonprofit organization comprised of leaders in the field of Web television, Web video and the digital entertainment industries. Founded in 2009, the IAWTV is helping to shape the rapidly evolving Web television industry while providing a venue for the acknowledgement of artistic and technological achievement in original entertainment distributed on the open Internet.  IAWTV members include actors, agents, composers, content developers, directors, editors, producers, technology innovators, writers, and other industry professionals all of whom joined the organization based on their passion and dedication to advance the craft of Web television. For more information, please visit www.iawtv.org or follow us on twitter @iawtv.

About CEA

The Consumer Electronics Association (CEA) is the preeminent trade association promoting growth in the $186 billion U.S. consumer electronics industry. More than 2,000 companies enjoy the benefits of CEA membership, including legislative advocacy, market research, technical training and education, industry promotion, standards development and the fostering of business and strategic relationships. CEA also owns and produces the International CES – The Global Stage for Innovation. All profits from CES are reinvested into CEA’s industry services.  Find CEA online at www.CE.org and www.Innovation-Movement.com.

What about the Writer’s Guild of America?

leave a comment »

Webseries creators have long had questions about unions. As a group, many of us write, direct, produce, some of us star in our works, run camera, and do all the editing. So the question many creators have is regarding whether to join a union (SAG, AFTRA, Writer’s Guild of America East/West, Producer’s Guild, etc.). In trying to answer this question for myself, I tracked down Ursula Lawrence (ulawrence@wgaeast.org) of Writer’s Guild East and asked her a few questions on camera at their headquarters in downtown Manhattan.

Beyond the Whips and Barbed Wire – Interview with Todd Norwood (Meet the Mayfarers)

leave a comment »

Upon first meeting the creator of Meet the Mayfarers, Todd Norwood, I was stuck by this incredibly affable guy with a quirky sense of humor. It was at the LA Tubefilter Meet-up, Tim Street introduced us, and we talked plenty of shop. Then, a month later, deep in conversation with Brian What at Slap House Radio we decided to take a look at the front page of Blip.tv. There was Todd, lying on a bed in a penguin costume next to a very dominant woman. I remember being struck at the juxtapositioning of penguin suit, whips, barbed wire, and mom walking into the room asking, “what is this?” in the episode entitled: Family Revelations. Todd has spent years crafting the many episodes of the series, Meet the Mayfarers, and has promised to keep shooting episodes as long as they keep having fun.

Todd assured Rocket’s Tail that the syndication of his show on Blip.tv has been a real boon to the work they are doing. Shooting along the short coastline of New Hampshire, Todd proves that interesting online video is coming from locations far from those A-list markets of New York and Los Angeles.

Meet Todd in this interview that was conducted in Cambridge, MA:

Jeremy Allaire, Online Video Industry Leader, Discusses its Future

leave a comment »

Most segments of industry were hit hard last year! Remember just a month ago when we were all kissing 2009 goodbye ready to see it gone forever? Well Jeremy Allaire‘s company, Brightcove, managed to grow its revenues 50% year over year, in 2009. Their customers have ranged from media companies (The New York Times, Fox, AOL, etc.) to plenty of non-media companies (Reebok, GM, Ticketmaster, etc.). And, seeing an opportunity to develop customers on the lower tier of online media, they rolled out Brightcove Express for $99/month; perfect for your local newspaper just dabbling with online video or that travel company looking to grow its community of travelers!

Jeremy Allaire is no new-comer to this space, either. Having co-founded Allaire Corporation where he developed Coldfusion and then teamed up with Macromedia to develop Flash, he is truly one of the online video industry’s leaders.

Rocket’s Tail caught up with Jeremy Allaire at the Brightcove Headquarters in Cambridge, MA to talk with him a little bit about where the industry is right now, where it might be heading, and how that intersects with other industry segments.

New York Times tackles 3D

leave a comment »

Thank you James Cameron for helping the world see that, yes, 3D is pretty darn cool; even with cheap versions of the goggles. I may be ready for my cool Ray-Ban styled 3D glasses; but the rest of the world is just now getting a handle on this fact, “What?! I can watch football live in 3D?!!!!” And happily as CES, the worlds largest consumer electronics show, gets fully underway this week in Las Vegas; we will be treated to a bevy of articles about the coming 3D revolution (at least that’s what broadcasters are hoping!).

This morning the New York Times jumped with both feet with this article: Television Begins a Push Into the 3rd Dimension.

If you found it here, pass it on and send people back! Thanks.

Written by @SibLaw_Official

January 6, 2010 at 9:59 am

Get Ready for 3D to Kick You in the Face!

with 4 comments

Yeah, you heard it right…kicked in the FACE! I recently sat in the screening room at 3ality (said: three-ality) Digital in Burbank, California. A camera swept across the stadium toward Bono and the Edge in a clip from the U23D concert movie, and I brought my fingers to the side of my neck to check my heart, which was pounding! Quick cut to a kickoff in last year’s Super Bowl in 3D. I’m not talking about a layer of one team, a layer of another team, and then everything else. I’m talking about a real three-dimensional image; smooth 3D from the closest player to the very back of the stadium, the way my eyes naturally see it. Absolutely amazing! And still, most of the population is perplexed by all the 3D talk.

Over the past year the press has done little to clear up why some people are talking so much about 3D television. The same questions always come up: Do I really need to buy yet another TV to get 3D? Can’t I watch 3D on my current TV? Do I have to wear those funny glasses? The immediate answer to these questions is always “Yes,” and then the writer goes into tech speak and my eyes roll back into my head as I start thinking about something on another website and click away from the article.

After watching the sample in the screening room, we walked into the lobby, where we watched clips from popular television shows in 3D. Again, the images were incredible. So what’s the big deal? Why can’t I have my 3D TV now? Well, you can…sort of. Get ready for the rich-nerdy-tech-girl down the street to have the coolest, newest TV technology before you do. But it won’t be long before you can have it too!

Acer is coming out with a cool new laptop pimped out with a 3D monitor that’ll run somewhere in the neighborhood of $800. But the real test will be next year when FIFA and Sony team up to produce 25 live sporting events in 3D. What I’ve heard is that the events will feature Manchester United, that 3D monitors will be placed in pubs throughout England, and that 3D glasses will be given out with beverages  (gives a whole new meaning beer goggling!).

So here’s the key for me: blow-your-mind-incredible production values. What made those images of the Super Bowl and the U2 concert and even the nature images in the 3ality Digital screening room so compelling? They were well produced. When I was watching them, I wasn’t thinking, “What great 3D images.” I was thinking, “Wow, what an incredible experience!” The impression was so mind-bending because it wasn’t just about the 3D images, it was about being engaged with and immersed in the content. It would be pure joy to be in a pub in England with a group of happy (um, drunk) fans when that first ball comes flying out of the television at them. Now that’s just good clean fun! Fortunately, James Cameron and Steven Spielberg are leading the charge with 3D films. We can hope that equal heavyweights lead the charge in television.

While I was at the 3ality Digital studio, Angela Gyetvan gave me a brief tour of their system for capturing 3D images, as well as talked about common misconceptions regarding the technology. Please enjoy the tour…and meeting Angela:

When I left 3ality Digital that afternoon, those images kept coming back to me. The experience was unforgettable! Not only do I want to own the latest and greatest technology to view this incredible new content, I want to start shooting in 3D…now!  So, yes, you will need glasses, but the latest versions look more like Raybans. And, Yes, you’ll need a new TV, because, NO!, your current TV absolutely will not play 3D like this. Once you see 3D this way, you won’t want to go back.

<span>%d</span> bloggers like this: